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In conjunction with the museum’s recent acquisition of
163 pieces of English creamware from the Alistair Sampson
Collection, Historic Deerfield will hold a one-day symposium
on the subject of 18th-century English creamware on
Saturday, April 26, 2008.
Participants will enjoy a day of lectures,
hands-on workshops, demonstrations of 18th-century
potting techniques, knowledgeable discussions of creamware
collecting, and potential pitfalls on the antiques market.
Foremost scholars on the subject, Patricia Halfpenny, Director
of Museum Collections at the Winterthur Museum;Tom
Walford, Editor of Transactions of the English Ceramic Circle;
and Amanda Lange of Historic Deerfield, will educate you
on the evolution of English creamware, the characteristics of
various English creamware manufacturers, and masterpieces
from the Sampson collection. Don Carpentier, Director of
Historic Eastfield Foundation, will demonstrate the tools and
techniques of late 18th-century English pottery, and Amanda
Lange will lead a hands-on workshop with objects from the
museum’s collection.
Enoch Booth (1717–c.1743) of Tunstall, England, invented creamware in the 1740s, but it was Josiah Wedgwood (1730-1795) who perfected and
successfully marketed the ceramic body. By 1762, Wedgwood’s many experiments resulted in a light, sturdy, refined yet inexpensive cream-colored earthenware body. In the 18th and early 19th centuries, this ware was often called "queensware." In 1765, England’s Queen Charlotte ordered a complete tea set ofWedgwood’s manufacture. She was so delighted with the service that she permitted Wedgwood to title himself “Potter to Her Majesty.” Wedgwood took no time in rechristening his “ivory” or “cream-colour” ceramics as the new-fashioned “queensware.” Middle-class consumers rushed to purchase creamware, bringing the popularity of tin-glazed earthenware and salt-glazed stoneware to an end.
Click here to download a pdf of the registration brochure.
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